Animal in Medieval Art
Animals, both real and fantastic, occupied an important place in medieval art and thought.Artists readily employed animal motifs, along with foliate designs, as part of their decorative vocabulary. 
 Art and Death in Medieval Byzantium
 Art and Death in Medieval Byzantium 
Dramatic illustrations of saintly deaths, as well as elaborate tombs 
featuring portraits of the deceased, were among the most powerful and 
persistent images in medieval Byzantium from the ninth to the fifteenth 
century.
 Art of the Christian Liturgy in the Middle Age
 Art of the Christian Liturgy in the Middle Age 
The central focus of the liturgy is the Eucharist, in which Christians 
take consecrated wine and bread in commemoration of the Last Supper and 
Christ's death.The term liturgy refers to the rites and ceremonies.
 The Art of the Book in the Middle Ages
 The Art of the Book in the Middle Ages
 Before the invention of mechanical printing, books were handmade 
objects, treasured as works of art and as symbols of enduring knowledge.Indeed, in the Middle Ages, the book becomes an attribute of God.
 Byzantine Art under Islam
Byzantine Art under Islam
 The Byzantine empire's interaction with Islamic culture had a profound 
effect on its art. Islam's rise and military success were the greatest 
threat to the stability of the empire and its territories.
 Byzantine Ivories
 Byzantine Ivories
 The city of Constantinople was the foremost center of commerce and trade
 in Europe until the ascent of competitive centers on the Italian 
peninsula during the thirteenth century.
 Byzantium
Byzantium
 In 330 A.D, the first Christian ruler of the Roman empire, Constantine 
the Great, transferred the ancient imperial 
capital from Rome to the city of Byzantion located on the easternmost 
territory of the European continent, at a major intersection of 
east-west trade.
 Carolingian Art
 Carolingian Art 
On Christmas day in the year 800, Charles, king of 
the Franks, raised to the rank of emperor. The significance: it identified Charles
 as a new kind of Christian Caesar who should rule a Holy Roman Empire 
renewed and sanctioned by the Catholic Church.
 The Face in Medieval Sculpture
 The Face in Medieval Sculpture
The head was the chief symbolic part of the body for Western culture in 
the Middle Ages, from the waning days of the Roman empire to the 
Renaissance.
Hagia Sophia
 The church of Hagia Sophia (literally "Holy Wisdom") in Constantinople. Hagia Sophia served as the cathedra, or bishop's seat, of the city. Originally called Megale Ekklesia (Great Church), the name Hagia Sophia came into use around 430.
